Third workshop and finally.....Colour!!!!

An entire week has sped by and I realised I'm only halfway through my workshops. For those of you following my blog closely sorry for the delay! And for those just stepping in here are my previous posts on the symposium:
Part 1
Part 2
Part 3
Part 4

The first day's workshops had been entirely pen and ink work. The next morning I was doing this workshop with Nina Johansson. Given that ink outlines with a watercolour wash is my favourite medium, I was really looking forward to this workshop. Nina's work is terrific.

The workshop was talking about two things - the first was how light gets eaten up as it comes down into the city, into the urban scene that you are trying to capture. We all know and feel it instinctively but the best way to capture this is by doing tonal studies. So our first exercise was a pencil sketch focussing on which surfaces get light, how the shadows are cast and how gradations happen. Part of it was trying to understand more consciously why one wall is darker at the top and another is darker at the bottom and so on. A good tip at this point was to squint and look at the subject so you see tones and shapes rather than colours and outlines.

The second focus of the workshop was how to paint with bright colours, how to mix darker shades and get gradations within a colour without making it muddy. This part was all about colour mixing. Using the complementary to get a darker shade and not adding black (or white) to change tone. The second exercise was to choose a very simple small subject so that we could focus on pigment mixing, and we were all asked to focus on one building The Selegie Arts Centre. It's a peculiar building with a striking form and the colour of the ground floor walls is different to that of the upper floors. So while trying to capture that I didnt quite get any sort of gradation at all!

And finally we got to do our own watercolour sketch in the last half hour. Subject of our choice but keep in mind the tones and gradations and the nature of light from the first exercise but remember our colour mixing too.

Choosing my own subject freed me up and I guess I fell back to my usual style but I did try to keep a few points in mind. These 3.5 hour workshops have all been super intense. You are assimilating on the go. I'm hoping a lot of great things I learnt will start showing slowly in my sketches to come but all in all I really liked the structure of this workshop and the two previous exercises came together to make perfect sense in the third.

Capturing people in action and crowds

Straight after my workshop with Ching I went into an afternoon workshop with Marc Holmes. The focus was on capturing people while they went about their business of doing whatever they do. Essential stuff for urban sketching as you can't ask them to pose for you.

We started off sketching each other very rapidly trying to capture the "head shape and hairshape" and soon moved on to capturing the hands. Again a handy trick. Get the hands down immediately after the head and then even if they move away you can fill in the rest later!

So we were sent off into the market area in front of the chinese temple on waterloo street. In twenty minutes we gathered back. I had these 6 people with head and hands which meant I had captured them doing whatever they were doing.

Raffle ticket seller, fruit vendor packing plums, old man sleeping and a cobbler working on a shoe while smoking his pipe.

An essential part of the workshop was also how to use two kinds of pens - one thin for the initial quick capture and then work with a darker brush pen for shadows and highlights. I wasn't very familiar with the use of the brush pen and really felt myself struggle with the darks.

The final part of our workshop which I found the most exciting by far was how to quickly capture a crowd scene. It's funny how different this workshop was from the previous one and yet in some ways the same. The idea of a foreground, a focus with more detail and then getting the depth and background with perspective and alternating darks for contrast. Except instead of buildings it was a whole horde of people on the paper.

We had to create a point of interest by quickly capturing one or a group of people in the foreground. Sketching what they were doing and getting in the head and hands first. Adding depth by putting in a whole row of heads behind that. Again, the trick is to look at people here and there and sketch them in. It doesn't really matter if the person on the left is finally on the right by the time you captured them.

Accessories like bags, specific kinds of shoes add character and by adding bodies and alternating dark shapes between the whites at the back one can very quickly achieve a sense of a crowd while also having a few authentic people about whom you are telling the story. Above is a scene of two sketchers meeting after the workshops in the crowded market and swapping notes while the rest of the busy shopping crowd mills around them. Below is a guy in a wheelchair talking to an old lady with the shopping stalls behind them.

Marc Holmes has pretty much distilled people sketching to its essence in this workshop. I really enjoyed the structure where each exercise built on the previous one and watching him stand there in the bustling market and demo one great sketch after another is a memory that will stay with me.

Workshop with Frank Ching

23rd July my first workshop of the symposium was with Frank Ching. Known to me for many years as Francis D.K. Ching he is the author of several books on architecture, all hand illustrated. My formative years as a student were largely spent gazing at his exquisite drawings and when I recently found out that he too is an urban sketcher it pretty much became my life's ambition to meet and sketch with him.

This was the workshop he offered and 9.30 am, we walked to the Singapore Art museum. The building is a composite of different geometric forms - cuboids, pyramids, cylinders, hemispheres and was a perfect example for Ching to explain to all of us the finer points of capturing scale proportion and perspective on location.

He started off by asking everyone to pick a spot and do a ten minute sketch. A single pen or pencil was encouraged, the thrust of the workshop being on linework and building details in layers. Here is mine from within the arcade of the cylindrical portion of the museum. On the right above my own signature is Ching's autograph!!

Gathering back, we laid our sketches down on the ground and each sketch was picked up and commented on by Ching. An excellent method for all to learn from each others work. The first exercise was also a way for him to gauge individual levels and styles so that in the second exercise he could come around and help each one of us with our weak points while we sketched. We were sent off again to commence on a half hour sketch. The second sketch is what you see at the top of this post.

Unwittingly I seemed to have made the same mistake twice. My eye level had floated up higher than where I really was. And my humans (always my problem!) were larger than life. After a second gathering and discussion we had time for one last sketch.

As architects we think we know many of these basics of sketching, but as urban sketchers, over the years, when we sit down to draw on location we prioritise differently. Ching's workshop was a great refresher course for me in the basics - putting down the structure of the sketch while concentrating on the first vertical edge, the eye level and proportions. Then working in an area of focus and where possible, shifting the focus off-centre. In the course of my conversations with him while sketching many finer points also emerged - tips to hatch more effectively, using fountain pen nibs in different ways for line weights, using the line quality to suggest material and using the contrasts of light and dark to capture space.

This blog post is as much for me to look back on as it is to share with all of you.
He's a great teacher and it was a fabulous experience.

Registration and new friends

Almost there. The registration for all participants began at 2.30 pm on July 22nd and i was a little early so I walked around the block and did a sketch on Queen street to while away the time.

It's a narrow one-way street and the pavement is much wider than the carrieageway, something you never see here in Madras! There were these funky colourful concrete benches that looked like they were sprouting from the ground and I started out wanting to sketch them. As soon as I started I noticed a bright orange coloured building dominating the skyline above. That turned out to be the Oxford Hotel where many of the sketchers I was about to meet were staying.

Once inside the National Design centre, the queue for registration was very long. I started chatting with Julia from Costa Rica who was just behind me and Bindi from Kampala who was just in front. As we registered we were given name tags and goodie bags full of sponsored stuff. A new watercolour moleskine with the USk Singapore Symposium logo emblazoned on the cover was immediately opened and my trusty old moleskine was stowed away.

 By 4.30 pm we were all ready for the opening sketchwalk. Hundreds of us walked together to Purvis street to sketch the well-preserved shop-house facades.  The sun blazed onto the eastern side of the street throwing sharp shadows and all of us lined up inside the western arcade on the pavement, the steps, assorted street furniture and cafe chairs. You can see more photos here. We spent close to two hours sketching, chatting, generally being amazed by the fact that so many of us from all over were sitting there shoulder to shoulder.

Back from the sketchwalk I soon teamed up with Bindi again and bumped into Rohit Kulkarni from Bangalore. All three of us were attending our first symposium and decided to go get dinner together.

The workshops would start the next morning. We exchanged notes to see if any of the activities we signed up for overlapped. We also all pulled out our new sketchbooks and ended up sketching our way through dinner!

Setting off for my first Urban Sketchers Symposium!

Monday 20th July. I caught an Indigo flight from the Kamaraj International terminal at 9.40 pm. The day was finally here. I was going for my first Urban Sketchers Symposium.

For the un-initiated I've been a member of this online group of location sketchers since 2011 and every year they meet in the month of July for 4 days of workshops, demos sharing and fun. This was the very first time the symposium was in Asia and of course I was going to be there!

I travelled through the night reaching Singapore early on 21st July. It was my one free day before the official start of the event and first on the agenda was trying to get a local sim card. Singapore has three telecom companies and I ended up in a Singtel store at Bugis Junction in search of my tourist sim.

The place was crowded with people. There were five or six Singtel attendants in crimson shirts talking to customers but a whole lot of other people sitting around on stools. Just as I was wondering how exactly to walk up to an attendant I looked up and realised it was a token system and all those others were waiting (famous Singapore queues!) so I got myself a token number Z1018 and found myself a stool to do this sketch.

The rest of the 21st was busy with personal visits but armed with my local sim I was able to make plans to meet some other international sketchers at Raffles hotel early the next morning for an informal session.

I ended up sketching not the hotel, but a local eating joint opposite which was buzzing with people at that early hour.

By the time I finished my sketch I had no clue where everyone else was so I wandered into Swee Kee to see what everyone was tucking in to. I ended up demolishing a steaming mug of Kopi and some delicious Kaya toast.

The rest of my fantastic experience over the next four days will have to come in installments as I slowly organise and scan all my sketches. So stay tuned for frequent updates!

Quick trip to Kodaikanal

This week I had to go to Kodaikanal on work. I considered myself lucky. Its not everyday that you get to legitimately leave 42 degrees C and climb into the hills. Kodai was a lovely 19 and my work was done with a couple of hours to go for sunset.

Although for most tourists the highlight of a trip to Kodai would be a boat ride on the lake, I myself prefer walking along the quieter non-touristy parts of the hill-station. This is a view of the boat houses from across the lake. In an attempt to keep the water clean the municipality have fenced off the lake from the pavement. I snuck in through a small opening and sat on a low wall. My feet hung down over some reeds and dense plants. 

Halfway through I was juggling my staedtler 0.7 liner into my bag and trying to get my watercolours out and down went the 0.7! Boo hoo, not only did I lose a pen but I also polluted the poor lake!

Another highlight for me when I visit Kodai in summer is the fruits! We all rave about the mangoes (and they truly are the world's best fruit) but summer in Madras also means plums and peaches from the hills. I took a walk to the fruit stalls to buy some plums and realised there are a whole range of summer fruits up on offer!

Plums, tree tomatoes, egg fruits (so called because the soft sweet flesh is the colour of a golden yolk) grapefruit, passion fruit, star fruit, avocado, pears, fresh badam, chikoo, and of course banana pineapple and apple. I first bought some plums from the shop on the right. He made me taste a half-dozen other fruit and I promised to be back the next day to buy more stuff. Then I walked across to the pavement opposite the shops and started my sketch.

Halfway through my sketch a passer-by alerted the shopkeeper that he was featuring in my drawing. He came and looked at it and was very pleased. Soon the next door shop guy came out to take a look. Then others were summoned. Finally the shop owners wife was called out. Someone shouted "Come and see how she's drawn your husband!"A smiling shy muslim lady came bustling out of the shop, took the book from me and exclaimed in surprise. Then she smiled and ran back inside. Someone else joked that I had passed the test.

The next day I only managed a quick watercolour of John enjoying his morning coffee and book. We were very lucky with the weather. It stayed clear throughout the time that we were out.

Just before leaving I went as promised back to the fruit shop to buy more fruit to take back to Madras. The wife recognised me and gave me a really good deal! Three cheers to sketching!

Holiday in the Hills

Life and work has been pretty hectic. In the middle of all the madness it was really refreshing to take a much needed break and head out to the hills. We drove to Munnar which is a quiet sleepy town surrounded by vast tea estates. That's the view across the valley from our resort. Somehow the days were packed and hectic too but I managed to sketch early in the morning. I noticed that in some estates the tea bushes are planted along the contours while in others, like this one, the lines run perpendicular. Wonder why?

We only stayed two nights. This sketch was done early on the second morning. The path winding up to our cottage was really picturesque. Halfway up there was a little round viewing deck, although the real stunning view was towering over and behind it.

The ensemble prepares

The shows at Jagriti start at 8pm each night and the actors go down to the theatre at 4 every day. First a line through, where people pair off and run their scenes. Paul alone has a deluge of monologues that he diligently goes through in his favourite chair.
After this a group warm up happens. The seven member cast form a circle and each day a different person leads the body warm up.

Today it was Paul's turn and the cyclical movement of the suryanamaskaram done in a circle was mesmerising to watch.
Next up is the voice warm up. Aparna lead the group in a new one that doubled up as a group massage.

Each actor by turn gets to lie in the centre while the other six give a synchronised massage while synchronising breath hand movement and voice. The massage looked amazing! I seriously considered abandoning the sketchbook to sneak in there somehow.

Jagriti Season 2014

For a second year in a row, Perch is at Jagriti's season. The second of five plays, we're here for two weeks. One week has flown past in all the frenzy and anxiousness of set up, lights, tech and getting an old play revived with some new actors in the cast. But with 4 shows and a rest day now under our belt, I finally pulled out my sketchbook.

One of the nicest things about performing at Jagriti is the studio apartment where the troupe stays. Its a large two storey apartment on the 7th and 8th floor with all the balconies overlooking the theatre. Today's show starts in 3 hours and the luxury of not having to commute but just take the lift down is indescribably amazing. Anyone who has ever been in Bangalore traffic will know what I mean.

6 more days and 7 more shows to go. 

First Show in Kandy

We had two shows of Jujubee in Kandy, both organised by the Catholic community there. Father Nandana, the Parish Priest of St. Antony's Cathedral in Kandy had mobilised everyone and they had really taken care of all our needs. The famous annual Buddhist festival of  Esala Perahara was to start in Kandy in two days. All hotels were booked out so Father Nandana had arranged for all of us to stay the first night at the Fatima Retreat in Lewella. That evening, which was our only free evening, we visited the famed Tooth Temple with Sam from NTT giving us a well informed tour.

The next morning we were up at dawn to leave for the venue of the first Show - Good Shepherd Convent, Kandy.

The actors checked out the hall and set up while the morning prayers were said over a microphone. John and I didn't have much to do. There were simple switches for a row of lights and we decided to just switch them on and leave them on.

It was the 125th year of the Convent. There were streamers and decorations all over the hall. One of the most memorable/ hilarious/ sheepish moments of the entire trip for us happened just before the show. We had woken up and eaten breakfast very early and just before the show everyone was really hungry. We were told snacks and tea was organised. We found a room behind the stage laid out with delicious snacks. Samosas in one corner, and then pyramids of egg sandwiches, fish and vegetable rolls, chocolate cake, coffee and juice. Needless to say everyone helped themselves greedily. Just then one of the volunteers looked in to check if we were Ok and was obviously stunned that we had started eating. Apparently only the samosas were meant as a pre-show snack and the whole thing was laid out for after the show. We were supposed to have tea and snacks with the School Principal and the Father!! Terrible sheepishness followed.

The morning show went off pretty well. The convent girls were a little older than the ideal age group,  also a little shy and very disciplined but by the end of it, they were clapping and squealing with enthusiasm. 

Off to Sri Lanka

As soon as we returned from Bangalore it was time to pack up and go to Srilanka. And when I say "pack up" I really mean it. Jujubee had been invited by NTT to do 6 shows in Kandy and Colombo and the large and lovely props made by Aarti had to be very carefully packaged to go as check-in baggage.
We were at the airport phenomenally early as requested by Srilankan airlines and they were so helpful that we had a lot of time to spare after check-in.
While doing this sketch, I stood with my sketchbook balanced on the handrail with a double volume space below me overlooking the concourse. Just as I finished and closed my book one of my pens fell down. I looked down and could see it there but no one passed by. I decided to take the escalator down to the boarding gates as it was almost time anyway but once downstairs I couldn't find my way back to the place where my pen was. Instead the labyrinthine corridors kept twisting away from the new building into the depths of the old airport and row upon row of musty handicraft shops! Ultimately I came all the way back and got a passing official to throw up my pen but the new airport remains a bit mysterious.

The flight to Colombo was just one hour with a lovely view of the Palk Strait. On the way down to land we hit some of the worst turbulence I've encountered in my memory. Colombo was covered in low rain clouds and at one point we suddenly dropped - I felt as though my stomach was in my throat but then we were out again and all you could see was blue water and the endless green of coconut trees.

Heading out of Bandaranaike airport we didn't go into Colombo since the first few shows were lined up in Kandy. There was a sleek 20 seater bus and Sam Perera from NTT waiting there for us - we were off to the hills!

A typical week at Rangashankara

Across the road from Rangashankara is Adithya, a typical Bangalore fast food joint. It opens early for breakfast and dishes out simple and delectable food all day through. Real value for money, there's regular stuff like idli and dosai, heavenly benne masala and some Karnataka specialities like neer dosai, open dosai and ragi dosai for breakfast. Full and hearty meals for lunch and in the evening when we're all feeling peckish before the show there is Paddu (kuzhi paniyarams), akki roti and kottakadubu.
The coffee at Adithya is pretty good stuff too and needless to say we spent a large part of our extra time (and money) there.
Another regular fixture in our week in RS was a sleeping Vedanth.

Okay, granted, that does not look like him but Vedanth had just become a father 10 days earlier and little Ameya was keeping him up on night duty so literally whenever he could get a few extra minutes he would use it well. The first half of the week was less hectic, we had single shows of Giraffe every evening but over the weekend there were shows of Jujubee in the morning and two shows of Giraffe after lunch. 

Sachin and Vedanth were the musicians for Jujubee and the first show on Friday morning, that had over 250 children in the audience was dedicated to little Ameya.

The Giraffe moves into Rangashankara

One of the biggest changes to the play in this run of shows was a scene inserted into the middle of the prawn factory. That had to be rehearsed and blocked before the first show on the 22nd. It came out really well and I won't say more - do catch the show whenever you next can and see for yourself.

We did a total of 8 shows from tuesday to Sunday and every morning we would assemble for Rajiv's feedback session. The backdrop for this was invariably the same - the set in the configuration of the last scene from the previous show with Rajiv taking centre stage and enthralling us with the most "outstanding moments"  from the previous day.

John and I usually toss a coin at the start of a run, to decide who lights the first show. Frome there on we alternate shows. This had become a sort of ritual that the group looked forward to as we would fight about it and make it a best of 3 tosses, and then a best of 5 and finally a best of 7. But this time, much to everyones' disappointment we had made our decision on the train!

So I got to sketch Muddanna's light booth on the eve of the first show while J had to prepare.

Touring with Perch

After a quiet 1st half of 2014, these last few weeks have been a lot of travelling and all of it with Perch. There's still more to come in the next few months and so I decided to dedicate a sketchbook/journal just for my travels with Perch. And I'm already half-way through the book!

John and I travelled by the Shatabdi to reach the rest of the cast who were already in Bangalore a few days earlier rehearsing for "How to Skin a Giraffe".

We reached in time for lunch. The cast were rehearsing at Play Practice, a new space near Bangalore university and we were looking forward to catch a run-through to brush up on our lighting cues but when we reached we found them like this :)

Just kidding. That was a short nap after lunch.... as always. But we did catch the run through and there were several small changes and edits to the play making it crisper and helping with the flow of the narrative.

The next morning we would move into Rangashankara for tech and more rehearsal.... sketches of that to follow in the next post.

My special little sketchbook

I have a pocket sketchbook that is so small that it frequently gets lost. I stumbled upon it this morning searching for something else and found that there was an entire series of sketches that I hadn't blogged. It was from a trip to Mumbai last November. As I leafed through the sketches the memories came back clear and detailed and it struck me all over again, how lovely it is to sketch memories in a sketchbook.
I prefer it to taking photos any day. Of course photos bring back memories if and when you go through all 40 GB of them, but with the sketch, even the making of it is a memory in itself.

Our theatre group was travelling by the Mumbai Mail to stage a play "How to Skin a Giraffe" at NCPA and we were a big group scattered across two coaches. As we got in there were some people who recognised Rajiv and they turned out to be teachers from The School, KFI . It's always nice to meet and get to know people on long train journeys.

In fact, we were on the train longer than we stayed in Mumbai. It was incredibly hot and humid for November but the route was quite beautiful. We also spent a lot of time in the stations because the entire set for the play was booked and taken in the brake van. And it was sad to note that the amount of unofficial looting that goes on at the Chennai Railway station when you try to book your parcels in was far far more than at Mumbai.

I couldn't do any sketches at the fabulous Tata Theatre where we performed. Assembling the set, rigging and focussing light in time for the show was too hectic but I did a couple of sketches at the hotel. We stayed at Sea Green Hotel on Marine Drive and in the morning and late evening we walked from the hotel to the auditorium along the sea shore. It was an old hotel with a lot of charm and great big rooms with mosaic flooring. A little run down but two great views from my balcony. Turn to the left and it was Brabourne cricket stadium. And turn to the right.....

This sketchbook is a great one to have. It's really tiny and compact but opens out flat so I can do doublespreads. You can check out some of my previous posts done in this book. Its my go to book when I'm hurried or travelling light or want to sketch unobtrusively and just capture memories. Its called a Brahmabook and I haven't spotted them around in a while. I hope they still make them.